Gerard Byrne
editors: Anderson Byrne Maybury

client: Frac des Pays de la Loire, Carquefou / Kunstmuseum St.Gallen / Australian Centre for Contemporary Art, Melbourne
publisher: Verlag
date: 2018
printing: MM artbook printing & repro
binding: uncredited
run: 750 copies FR/EN, 750 copies GR/EN
size: 300 mm x 290 mm landscape
extent: 80 pages + endpapers + covers + dustjacket

ISBN 978-3-903131-01-9 (GR/EN)
ISBN 978-3-903228-67-2 (FR/EN)

_____________________________

covers:
hardback paperbound, printed 2/0 K onto 150grs Mohawk superfine  

inside:
printed 4/4 LED UV onto 150grs Mohawk superfine

endpapers:
printed 1/1 (double strike K) onto 150grs Mohawk superfine  

binding:
hardcover, thread sewn, black head and tail bands, 2.2mm boards

dustjacket:
printed 4/0 CMYK onto 200grs Gardapat gloss + gloss lamination
_____________________________

client: Dublin City Council/ Dublin City Council Culture Company
date: 2018
design: Peter Maybury, David Donohoe

Branding and visual identity, wayfinding, website, print and screen items

Henrietta Street in Dublin's North inner city is the most intact collection of early to mid-18th century houses in Ireland. From Georgian townhouse to tenement dwelling, 14 Henrietta Street tells the story of the house and the lives of the people who lived there and how social change impacted on them over time.

date: 2021
run: 300 copies
size:165 x 220 mm portrait
cover: 4 page cover printing 4/0 CMYK onto 130grs Munken Pure
1 foil block white onto front cover
endpapers: printing 4/4 CMYK onto 130grs Munken Pure
inside: 48 pages printing 4/4 onto 135grs Tatami white
binding: hardcover, square spine
2.3mm boards, no head and tailbands

printer: MM Artbook printing & repro

Sarah Browne
extent: 16pg. self- cover
printing: web fed litho 1/1 throughout onto c.52grs newsprint
binding: saddle stitched
size: 270 x 360mm portrait
run: 1,500
ISBN 978 1 872493 32 9
publisher: Project Press, a division of Project Arts Centre, Dublin
printing: Datascope, Wexford, Ireland

client: Irish Museum of Modern Art
date: September 2009
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: uncredited
run: 500 copies
size: 165 x 210 mm portrait
extent: 280 pages + endpapers + covers

ISBN 978 1 907020 02 5

_____________________________

covers:
hardback paperbound, printed 4/0 CMYK onto 120grs Bioset 

inside:
printed 4/4 CMYK onto 130grs Bioset

endpapers:
printed 1/1 (double strike) onto 150 grs Bioset 

binding:
hard cover bound, square spine, head and tail bands, 1.5mm board
cold melt glued
_____________________________

Access All Areas addresses a wide range of institutional and personal ideologies governing access to art and artists and the national cultural frameworks that support them. Contributing texts in this publication stems from Access All Areas, the second in a series of international symposia hosted in 2006 by the Irish Museum of Modern Art, Dublin. Also included in this publication series are Curating Now (2009) and Museum21 (2010). Edited by Helen O’Donoghue.

volumes 1–7
publisher: Sub Rosa, Belgium,
2002-on-going

Digipak CD and triple vinyl editions

cat. no.: 
vol 1: SR190 (CD) SRV190 (vinyl)
vol 2: SR200 (CD) SRV200 (vinyl)
vol 3: SR220 (CD) SRV220 (vinyl)
vol 4: SR250
vol 5: SR270
vol 6: SR290
vol 7: SR300

__________________________________

Series compiled and edited by Guy Marc Hinant. Guy Marc’s cover concept was to begin the series at the exterior (the iconic Philips Pavilion built for Expo ’58, Brussels), moving in steps into the room and into the machines before zooming back out to a concept sketch for the pavilion by Iannis Xenakis: the building in thought form only.

http://www.subrosa.net/en.html

Lucy Andrews, Andres Büttner, Aleana Egan, Isadora Epstein, Hannah Fitz, Elizabeth Magill, Áine McBride, Kathy Prendergast, Linda Quinlan, Anne Tallentire,

published in conjunction with the exhibition ‘and the days run away like wild horses over the hills’, 31 July – 31 August 2019

date: 2019
size: 250 X 170mm portrait
extent: 24 page self-cover
printed 4/4 throughout onto 80grs Edixion Offset (FSC4).
binding: saddle stitched
printing: Impress Printing Works, Dublin

client: Eli and Edythe Broad Art Museum at Michagan State University
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run: 500 copies
size: 165 x 240 mm portrait
extent: 64pg. + endpapers + covers

ISBN 978 1 941789 03 2

_____________________________

covers:
4 page hardcover
printed 1/0 black foil block on spine
and 1 blind deboss onto front and back covers
onto Constellation Jade E49 Country
endpapers: 
2 x 4 pages printed 4/4 onto 135grs Lessebo design naturel 1.3
inside: 
64 pages printed 4/4 onto 135grs Lessebo design naturel 1.3
binding:
hardcover, thread sewn, black head and tail bands
1.5mm boards, square spine

World Anni e Josef Albers e l'America Latina

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client: The Josef and Anni Albers Foundation
date: 2016
printing : MM artbook printing & repro, the Netherlands
binding: unknown
run: 1,000 copies
size: 240 x 280 mm portrait
extent: 64pg. + endpapers + covers

_____________________________

Bi-lingual publication to accompany the exhibition at Museo delle Culture, Milan, Italy
28 October 2015 – 21 February 2016
editor: Nicholas Fox Weber

_____________________________

covers: 
4 page hardcover
printed 4/0 (CMYK) + 1 x PMS (spine) onto 150grs Lessebo design white 1.3
endpapers: 
2 x 4 pages printed 1/1 double hit PMS 192, 188, 300 (front) & 284, 181 (back) onto 150grs Lessebo design white 1.3
inside:
152 pages printed 4/4 (CMYK) onto 170grs Garda Art matt/Profisilk
binding:
19no. 8 page sections gathered into 9.5 x 16 page sections
hardcover, thread sewn, head and tailbands (white)
2.5 mm boards front and back, 2mm in spine

client: Irish Museum of Modern Art
date: 2009 – 2011
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run/extent: 
issue 1: 176pp. + covers, 1,500 copies
issue 2: 216pp. + covers + CD on hub, 1,000 copies
issue 3: 280pp. + covers, 1,000 copies
issue 4-7: 144pp. + covers, 1,200 copies
size: 230 x 285 mm portrait
_____________________________

issue 1:  
ISSN: 2009 1834 (no ISBN)
issue 2:  
ISSN: 2009 1834 ISBN: 978 1 907020 68 1
issue 3:  
ISSN: 2009 1834 ISBN: 978 1 907020 45 2
issue 4:  
ISSN: 2009 1834 ISBN: 978 1 907020 54 4
issue 5:
 ISSN: 2009 1834 ISBN: 978 1 907020 58 2
issue 6:  
ISSN: 2009 1834 ISBN: 978 1 907020 68 1
issue 7:  
ISSN: 2009 1834 ISBN: 978 1 907020 69

_____________________________

covers:
4 page cover printed 4/4 (black + 3 x PMS) + all over varnish onto 400grs Munken Pure 

inside:
varying 172-280 pages onto Furioso white 135grs printed 4/4 CMYK + all over sealer 

binding:
Thread sewn, Otabind

_____________________________

Between 2009 and 2011 I designed the seven volume Boulevard Magenta, an expansive journal edited by Enrique Juncosa and published by the Irish Museum of Modern Art. It features contributors as diverse as Pedro Almodóvar, Matthew Barney, Jessica Craig-Martin, Seamus Heaney, Mark Manders, Brian O'Doherty, Hans Ulrich Obrist, Garrett Phelan, Philippe Parreno, Steve Reich, Richard Serra, Apichatpong Weerasethakul, and Terry Winters.

Dennis McNulty
client: Lismore Castle Arts
16pg. poster folding to 186 X 140 portrait
printed 4/4 onto 100grs Munken Lynx
trimmed to size and folded
run: 500 copies 1st edition, 1,000 copies 2nd edition (with minor revisions)
printing: Impress Printing Works, Dublin

client: Dennis McNulty,
publisher: Collective, Edinburgh
date: 2015
printing: Newspaper club, Glasgow
binding: loose folded
run: unknown
size: 289mm x 380 mm portrait
extent: 16 page self-cover printed CMYK throughout onto 52grs newsprint

www.dennismcnulty.com

client: Taymour Grahne Gallery, New York
date: December 2013
printing: MM Artbook printing & repro
binding: not credited
run: 500 copies
size: 165 x 210 mm portrait

_____________________________

endpapers:
printed 4/4 CMYK onto Lessebo design Naturel 1.3/150 grs

inside:
56 pages printed 4/4 CMYK onto Lessebo design Naturel 1.3/150 grs

cover/binding:
Brillianta 4004
matt white foil block on front cover
case bound, square spine and head and tail bands

www.taymourgrahne.com

client: The Douglas Hyde Gallery
date: 2013
printing: MM Artbook printing & repro
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers

ISBN 978-1-905397-40-2

_____________________________

covers
hardcover linen Iris dark brown2
foil blocked in 1 colour
inside
32pg. 150grs Furioso white 150grs 4 colour process
endpapers
150grs munken lynx 4 colour process 2 sides
binding
thread sewn in 4 x 8pg sections

_____________________________

100 Archive

client: Susan MacWilliam
date: 2017
printing: Graphicom
binding: not credited
run: 500 copies
size: 165 x 220 mm portrait
extent: 88 pages + endpapers + covers

ISBN 978 0 9957001 0 9
ISBN 978 0 9954611 1 6

___________________________

cover:
printed 4/0 + varnish on 120grs Efalin textured paper 

endpapers:
printed 4/0 + varnish on 140grs Tauro offset paper

inside:
88 pages printed 4/4 on 135grs Tatami white

binding:
‘thin hardback’ section sewn with a printed cover over 1.5mm boards, square spine, H&T bands

___________________________

Published by
NN Contemporary Art
QUAD
CONNERSMITH

Sleep systems
99A Rathgar Road, Dublin

client: Irish Museum of Modern Art
date : 6 October 2012 - 23 February 2013
printing : MM Artbook printing & repro binding: unknown
run: 1,000
size: 220 x 285mm portrait
extent: 144pg. + endpapers + covers + 8pg. dustjacket

ISBN: 978-0-907020-92-6

_____________________________

dustjacket:
4/0 + matt laminate onto 150grs Furioso, and silver foil on spine, 100mm flaps
cover:
120grs Munken Pure printed PMS877 solid 1/0 with blind emboss front only
2.5mm boards
endpapers: printed 4/4 onto 120grs Munken Pure
inside:
144 pages 4/4 onto 150grs Furioso
binding:
hard cover, thread sewn in sections, square spine, head and tail bands

_____________________________

100 Archive

client: RHA Gallery, Dublin
date: May 2016
printing: MM artbook printing & repro
binding: Schwind
run: 600
size: 200 x 260 mm portrait
extent: 216pg. + endpapers + hard covers + 4pg. booklet loose inserted

ISBN 1 903875 81 1

_________________________

cover: 
4 page hardcover printed 4/0 CMYK onto 150grs Lessebo Design white 1.3

endpapers: 2 x 4 pages onto Printed: 4/1 CMYK/PMS BLACK double hit onto 150grs Lessebo Design white 1.3
inside:
216 pages printed 4/4 CMYK onto 150grs Luxo Art samt
13.5 sections x 16 pages

4 page self-cover printed 1/1 onto 150grs Lessebo Design white
inserted loose into book

_________________________

www.davidfarrell.org
www.rhagallery.ie

Ictus Ensemble Contra Naturam. Tom de Cock, percussion.
Sub Rosa
SR451 (2017)
2 CD digipak + 24pg. booklet
https://subrosalabel.bandcamp.com/album/mani

client: Crawford College of Art & Design
date: 2011
printing: Hudson Killeen, Dublin
binding: unknown
run: unknown
size: 160 x 210 mm portrait
extent: 120pg. + covers

cover
2/0 onto Munken Lynx 300grs

inside
120pg divided into
8pg 1/1 on Munken Lynx 120grs
96pg 4/4 onto Revive 50/50 Silk c.130grs
8pg 1/1 on Munken Lynx 120grs
8pg 4/4 on Munken Lynx 120grs

thread sewn

binding:
perfect bound

Championing Irish Art: The Mary and Alan Hobart Collection
date: 2023
publisher: Irish Museum of Modern Art (Pym’s Gallery London collection)
extent: 88pg. + endpapers + covers
4pg. hard cover printed 4/0 CMYK + matt laminate onto 130gsm Munken Pure
endpapers: printed 4/4 CMYK onto 130gsm Munken Pure
inside printed 4/4 CMYK onto 140grs Tatami White
run: 800

client: Irish Museum of Modern Art
date: June 2008
printing: Drukkerij Rosbeek bv, 
the Netherlands
binding: Callenbach, the Netherlands
run: 2,500 copies
size: 230 x 285 mm portrait
extent: 188pg. + endpapers + covers

ISBN 978 1 903811 89 4

_______________________________

covers:
printed 4/4
hardcover with foam wrapped in paper and matt laminated
text screenprinted onto laminted cover in 1 colour
square spine, head-and-tailbands, cold-melt glued

endpapers:
printed 4/0 onto 150grs Lessebo Design 1.3

inside:
188 pages divided into:
80pg. printed 4 colour process 150grs Job Art gloss
4pg. printed 4 colour process 1 side on 100grs Golden Star silver
48pg. printed 4 colour process 100grs Munken Print cream 15
8pg. printed 1 colour 100grs Munken Print cream 15
48pg printed 4 colour process 150grs Lessebo Design 1.3

running sequence:
24pg. printed 4 colour process 150grs Hello gloss
16pg. printed 4 colour process 100grs Munken Print cream 15 w/
4pg. wrap-around printed 4 colour process 1 side on 100grs Golden Star silver
16pg. printed 4 colour process 150grs Hello gloss
16pg. printed 4 colour process 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
8pg. printed 4 colour process 150grs hello gloss
8pg. printed 1 colour 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
16pg. printed 4 colour process 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
8pg. printed 4 colour process 150grs Hello gloss with 1 x 8pg wraparound, concertina folded
16pg. printed 4 colour process 150grs Hello gloss

Contemporary art goes to school

size: 160 x 220 portrait
extent: 320pg. + 4pp cover + dustjacket
cover: printed 1/0 onto 2890grs Sirio Color Celeste
inside: printed 4/4 onto 120grs Munken Lynx
dustjacket: printed 4/0 CMYK onto 170grs silk
binding: thread sewn in 16pg. sections
run: 500
printing: Gomer, Wales

includes texts by: Gerard Byrne, Jennie Guy, Nathan O’Donnell, Rowan Lear, Andrew Hunt, Helen Carey, Hannah Jickling and Helen Reed, Juan Canela, Sofía Olascoaga and Priscila Fernandes, Daniela Cascella, Matt Packer, Alissa Kleist, Sjoerd Westbroek, Annemarie Ní Churreáin, Clare Butcher, and a visual essay by Jennie Guy, Peter Maybury, and Fiona Gannon.

Algorithmically generated publication
2014 –
cover design and graphic consultancy: Peter Maybury

From the press release:
"The border between fictional or projected futures and reality is becoming more and more difficult to precisely determine. The next version of the internet, which is referred to as the Semantic Web, is being designed to be navigated by machines, and The Internet of Things promises us a world where all objects will possess, and be able to communicate, some kind of awareness of their place in a hierarchy of matter. Processes like Machine Translation and Sentiment Analysis, which are part of the Artificial Intelligence jigsaw alongside technologies such as Machine Vision and Deep Learning systems, have been slowly leaking into the present for a number of years now.

These and other shifts in the human/machine relationship form the backdrop to Corpus, a two volume artist's publication project by Dennis McNulty. The word corpus means body in Latin, but it also refers to a large and structured collection of texts. Large corpora (the plural of corpus) form the basis contemporary Machine Translation algorithms, such as Google translate. The volumes of McNulty's project are entitled Corpus and Organs. The former comprises a diagrammatic translation of every review of the movie The Fountainhead on amazon.com, each of which is generated algorithmically, while the latter presents a series of texts as an accompaniment and contextualisation."

Corpus is co-published by Publication Studio Vancouver and Project Press. Supported by an Arts Council of Ireland Project Award.
 

http://www.dennismcnulty.com/

client: Irish Museum of Modern Art
date: 2012
printing: Colorman, Dublin under the supervision of MM Artbook printing & repro
prepress: MM Artbook printing & repro
run: 2,500
size: 220 x 254 mm portrait

ISBN: 978 1 907020 81 0

_____________________________

cover: Munken Pure 400 grs
printed: 4/1 from which 0/1 is a double hit one hand-mixed colour
inside: 160 pages
paper: Hello Fat Matt 150 grs
2 x 8 page sections pro printing sheet
printed : 4/4 = CMYK, CMY = K&E Novavit 918, black = Novaspace 2010
dotscreen: 200 lpi
binding: Thread sewn, covers drawn on
 

client: Irish Museum of Modern Art
date: 2017
printing: dieKeure
run: 800 (2 versions)
size: 270 x 330mm portrait
extent: 144pg. + endpapers + covers

ISBN 978 1 901192 48 3

_____________________________

cover:
printed 4/4 process + aqueous coating onto 120grs Freelife Vellum white

inside:
printed 4/4 process onto 150gsrs Magno Volume

endpapers:
printed 4/4 process onto 140grs Freelife Vellum white

binding:
threadsewn hardcover cold glue in 8s, 
1.5 mm greyboard covered with printed paper, round spine, H&T bands

_____________________________

client: Arts Council/An Chomhairle Ealaí­on
date: April 2009
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: unknown
run: 800 copies
size: 203 x 254 mm portrait
extent: 48pg. + endpapers + covers

ISBN: 978 1904291 42 8 

________________________________

cover:
printed CMYK + 1 colour double strike fluorescent mix onto Lessebo Design white 130grs

inside:
12 pages printed 4 colour process onto 100grs Casing 2 lichtbruink
then 32 pages printed 4 colour process onto 150rgs Freelife Symbol gloss then 4 pages printed 4 colour process Casing 2 lichtbruink

endpapers:
front: Lessebo Design white 130grs, printed 1/1 fluorescent mix double strike
back: Casing 2 printed 1/0 black

binding:
case bound, square spine and head and tail bands
Deboss on front and back cover

_______________________________

A joint venture between the Arts Council/ An Chomhairle Ealaíon and Arts Council of Northern Ireland, the Curated Visual Arts Award presented solo exhibitions at the Douglas Hyde Gallery, Dublin and Void, Derry of works by Brendan Earley, Factotum, Conor McFeely and Bea McMahon curated by Mike Nelson.

client: The Douglas Hyde Gallery
date: 2013
printing : MM Artbook printing & repro
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers

ISBN: 978 1 905397 39 6

_____________________________

inside 32pg. printed 2/2 Novaspace black and PMS 425 onto 135grs Tatami natural ivory
endpapers:
1/1 PMS 7542 150grs Munken Lynx
cover:
blind embossed onto Brillianta 4043
binding :
thread sewn 4 x 8pg.

client: East Asia Film Festival Ireland
date: 2018–
print and online material

Postcard set (2024, 2025 edition)
Impress Printing Works, Dublin
run: 300 off 4 sorts, 600 off 4 sorts
110 x 150mm, 300gsm Munken Lynx w/ grain direction turned

A2 folding to A5 programme
(2018, 2019 editions)
printed 4/4 onto 115grs gloss stock
litho printing: Impress Printing Works, Dublin
short run 30x40 digital posters, The Poster Company

Sarah Browne
date: 2023

extent: 152pg. + covers
cover printed 4/4 onto
inside printed 4/4 onto
printing: MM Artbook printing & repro
publisher: Fingal County Council

ISBN 9781914348068

client: Irish Architecture Foundation
date: 2013–14
printing: Datascope
binding: loose folded
Run 3,000 copies
Size: 310 x 480 mm portrait
extent: 20pg. self-cover

ISBN: 978-0-956-72495-3

_______________________________

date: 2020
editor: Dennis McNulty
ISBN 978 1 9161509 0 4
publisher: Paper Visual Arts Journal (PVA)

size: 330 x 220 mm landscape
then folded down to 155x220 mm portait
extent: 64 pages + covers
covers: printed 4/0 + seal + on 200grs Cyclus offset
inside: printed 4/4 on 100grs Cyclus offset
binding: saddle-stiched
printing: SYL L’Art Gràfic, Barcelona

Everything is somewhere else, edited by Dennis McNulty was published last year by Paper Visual Art Journal and I finally got round to photographing it. It’s approx A4 landscape format folded in half. I don’t like landscape format books but I got the idea for this from a Thule catalogue which I had picked up in Halfords and folded in two to stuff in my pocket. A product catalogue seemed an appropriate reference point for a book about infrastructure, and the extra depth offered by the folds allows content to be embedded and revealed.

On sale at Paper Visual Art

On excess, acceleration and expenditure
extent: 12pg. self- cover
printing: web fed litho 1/1 throughout onto c.52grs newsprint
binding: saddle stitched
size: 270 x 360mm portrait
run: 1,500
ISBN 978 1 904864 76 9
publisher: Project Press, a division of Project Arts Centre, Dublin
printing: Datascope, Wexford, Ireland

client: Crawford Art Gallery, Cork
date: 2013
printing: MM Artbook printing & repro
binding: uncredited
run: 500 copies
size: 156 x 234 mm portrait
extent: 68pg. + endpapers + covers

ISBN 978-1-874756-17-0

_____________________________

cover: 2 x 2 page onto Constellation Jade E49 Country
printed: 1/0 blind emboss
endpapers: Cyclus offset 135grs
printed: 4/4 CMYK
inside: page 1/8 on cyclus offset 13grs2
printed: 4/4 CMYK
2 pages Cromatico yellow
unprinted
9/24 onto Cyclus offset 135grs
printed : 4/4 CMYK
2 pages Cromatico yellow
unprinted
25/68 onto Freelife gloss 150grs
printed: 4/4 CMYK
binding: Thread sewn, hardcover cut flush, covers glued onto 3mm boards
cloth in spine yellow colour as in innerwork

_____________________________

A group exhibition including works by Declan Clarke, Kitty Kraus and Dennis McNulty.

_____________________________

100 Archive

client: Irish Museum of Modern Art
date: June 2006
printing : Drukkerij Rosbeek bv, 
the Netherlands
binding: unknown
run: 1,500
size: 230 x 285 mm portrait
extent: 232pg. + covers

ISBN: 1 903811 62 7

_____________________________

covers:
4 page printed 3/1 (not common) onto 400grs Flamingo
blind embossed.
inside:
232 pages divided into:
16 pages 4/4 onto 150grs JobArt Gloss
32 pages 2/2 onto 130grs Munken Lynx
32 pages 4/4 onto 130grs Munken Lynx
4o pages printed 1/1 onto 100grs Munken Print Extra 18
104 pages 4/4 onto 130grs Arctic the Volume
8 pages printed 1/1 metallic (not common) on 200grs Neobond white
binding:
thread sewn in sections, OTA bind

client: Irish Museum of Modern Art
date: 2015
printing: MM artbook printing & repro
binding: uncredited
run: 600 copies
size: 168 x 240 mm portrait
extent: 128 pages + endpapers + covers

ISBN: 978 1 909792 11 1

_______________________________

covers:
Hardback paperbound. Printed 4/0 CMYK onto 150grs Lessebo Natural
inside:
printed 4/4 CMYK onto 120grs Munken Polar
endpapers:
printed 4/0 onto 150grs Lessebo Natural
binding:
Hard cover bound, square spine, head and tail bands, 2mm boards
_____________________________

client: MK Gallery, UK / Fondazione Galleria Civica Trento
distributor: JRP|Ringier
date: May 2012
printing: MM artbook printing & repro
binding: uncredited
run: 1,200
size: 300 x 290 mm landscape
extent: 60pg. + endpapers + 8pg. dustjacket and hard covers

ISBN: 978-3-03764-271-9

_____________________________

cover:
cloth cover deboss front, black foil spine
inside:
60 pages divided into :
pp.1-12 onto Gardapat Kiara 135grs printed : 2/2 duotone
pp.13-24 onto Larius gloss 200grs printed : 3/3 tritone
pp.25-36 onto Gardapat Kiara 150grs printed : 3/3 duotone and PMS 1795
pp.37-48 onto Larius gloss 200grs printed 3/3 tritone
pp.49-60 onto Gardapat Kiara 150grs printed 3/3 duotone + PMS 1795
endpapers:
2 x 4 page onto Lessebo design white 1.3 / 120grs printed 1/1 PMS 5747 double strike
dustjacket:
8 page dustjacket onto Larius gloss 150grs (flaps 180mm) printed 2/0 duotone
binding:
Case bound, square spine, 2.5mm board, green head and tail bands to match endpapers

_____________________________

Included in the shots are copies of Tuxedo Junction and Images or Shadows, the invitation for Gerard's IMMA show Through the eyes, and one of the reference prints used when preparing the duotones and tritones. 
120lpi screens used throughout. Duotones printing onto matt, tritones printing onto gloss, in alternating 12pg. sections.

_____________________________

100 Archive

client: Crawford Art Gallery, Cork
date: 2011
printing: MM Artbook printing & repro
binding: uncredited
run: 500 copies
size: 156 x 234mm portrait
extent: 56pg. + endpapers + covers

ISBN 978 1 874756 09 5

_____________________________

covers:
4 page cover with cloth in spine and cutflush 3mm board on front and 1,5mm on back cover Printed : 1/0 (black) onto 135grs Munken Pure
endpapers: 
2 x 4 pages unprinted Munken Pure 135grs
inside:
A) 16 pages Munken Pure 80grs (1 x 12pg. and 1 x 4pg.) printed 1/1 black
B) 16 pages Munken Pure 135grs (2 x 8pg.) printed 1/1 black
C) 16 pages Munken Pure 170grs (2 x 8pg.) printed 4/4 CMYK
D) 8 pages Munken Pure 200grs (1 x 8pg.) printed 1/1 black
binding: 
threadsewn, cut-flush, black cloth spine

_____________________________

Featured artists: 
Marina Abramovic
Robert Ballagh
Aideen Barry
Maud Cotter
Michael Craig-Martin
Daghdha Dance Company
Dorothy Cross
Giorgio Cugno
Gerard Dillon
Brian Duggan
Jimmie Durham
Felim Egan
Adam Ekberg
William Forsythe
Patrick Graham
Ilya Kabakov
Clare Langan
Johan Lorbeer
Lilly McElroy
Tom Molloy
William Parsons (3rd earl of Rosse)
Alex Pentek
Alana Riley
Kitty Rogers
Sean Scully
Antoni Tàpies
Pieter van der Heyden
Michael Warren
Li Wei
Grace Weir

_____________________________

100 Archive

date: 2022
publisher: TTOPOLOGY
289 x 380 portrait ‘Digital tabloid’
extent: 104pg. self-cover
printing: Newspaper Club
run: 100 copies
material: 80grs Bright Recycled

This publication is a collaboration between
Dennis McNulty and Peter Maybury
ISBN: 978-1-3999-3947-8

client: IKON, Birmingham / CAG, Vancouver / Project Arts Centre, Dublin
date: 2012
printing: MM Artbook printing & repro
binding: uncredited
run: 1,000
size: 135 x 185 mm portrait
extent: 184pg. + covers

_____________________________

cover:
4pg. soft cover printed 1/0 PMS onto Artist Rives Design 250grs + 
white foil block front and spine
inside:
184 pages divided into:
pp.1-80 printed 4/4 onto 170grs Furioso pp.81-96 printed 1/1 onto 115grs Munken Print white 1.5 pp.97-104 printed 4/4 onto 115grs Munken Print white 1.5 pp.105-120 printed 1/1 onto 115grs Munken Print white 1.5 pp.121-184 printed 4/4 onto 170grs Furioso
binding:
thread sewn, hot melt

_____________________________

other works relating to Sarah Browne:
Lebensreform in Leitrim, IrelandVenice, sarahbrowne.info

100 Archive

date: 2024
client: Irish Museum of Modern Art
run: 600 (SOLD OUT)
printing: MM Artbook printing & repro
size: 168 x 240 mm
extent: 128pg. + endpapers + covers
cover: 4 page hardcover printed 4/0 (CMYK) onto Lessebo Design Naturel 1.3
inside: 128 pages printed 4/4 (CMYK) onto 120grs Munken Polar
endpapers: 2 x 4 pages printed 4/0 onto 150 gm2 Lessebo design Naturel 1.3
binding: hardcover, thread sewn, head and tailbands, square spine, 2mm boards

ISBN: 978 1 909792 30 2

client: Gareth Kennedy
date: 2012
printing: MM artbook printing & repro
binding: uncredited
run: 350
size: 150 x 195 mm portrait
extent: 32pg. + 8pg. cover

cover:
1/0 onto 200grs brown (recto) / white (verso) craft board
inside:
32 pages printed 4/4 onto 80grs Munken Pure
binding:
softcover, open spine, cold-glue, glue-strip hand-painted

______________________________

A blue ink was hand-mixed and printed onto the kraftboard cover. After the books where bound the spine was painted yellow.

______________________________

other works relating to Gareth Kennedy:
IrelandVenice, Post Colony

client: Irish Museum of Modern Art
date: 2011
printing: MM artbook printing & repro
binding: Binderij Hexspoor
run: 1,200
size: 230 x 260 mm portrait
extent: 224pg. + covers

ISBN: 978 1 907020 6102

_____________________________

cover:
softcover with OTA bind printed 4/4 onto 400grs Trucard
matt laminated + spot gloss varnish
inside:
224 pages printed 4/4 onto 150grs Claro Bulk
 

_____________________________

100 Archive

client: Irish Museum of Modern Art
date: 2011
printing: MM Artbook printing & repro
binding: unknown
run: 400
size: 170 x 240 mm portrait
extent: 24pg. self-cover

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performance programme
The intelligence park
Opera in three acts by Gerald Barry
libretto by Vincent Deane

The Great Hall
Irish Museum of Modern Art
18 May 2011
Gerald Barry
_____________________________

printed 4/4 CMYK onto Furioso white 135grs
saddle-stitched with copper wire

Royal Hospital Kilmainham, Dublin, 2013
painted walls, window film, vinyl lettering

The wayfinding system developed for the Irish Museum of Modern Art, at the Royal Hospital Kilmainham in Dublin addresses complex navigation issues throughout a listed structure. 
Minimising architectural intervention, only glazing and painted areas are used as signs. No other mechanisms are employed. The glazed foyer is a natural lightbox. A translucent coloured frieze is fixed to the glass and lettering applied, allowing unfiltered daylight to enter above and below. 
From the courtyard the glazing becomes a unifying low-key sign, while inside, the space is enveloped by a coloured glow. The colour changes the atmosphere of the room. 
On the walls, painted areas delineate signage with vinyl lettering. This logic is applied throughout the building.

_____________________________

100 Archive

In search of Hy-brasil
date: 2023
run: 5,000
client: Irish Pavilion, Venice Biennale
600 x 900 folding to 150 x 300mm portrait
printing 3/0 = black + PMS414 + PMS3125
onto 100gsm Cyclus offset

client: Ireland at Venice
date: June 2009
printing: MM Artbook printing & repro (credited 1455)
binding: Hexspoor

ISBN 978 0 9553950 4 8 (set)
ISBN 978 0 9553950 3 1 (KB)
ISBN 978 0 9553950 1 7 (SB)
ISBN 978 0 9553950 2 4  (GK)

_____________________________
 

3 publications:
Kennedy Browne; Sarah Browne; Gareth Kennedy; 

165 x 240 mm portrait
Inner work all sections of 8 pages.

book 1 (KB)
cover 4 page cover onto Woodstock Noce 285 g/m2, printed 0/1 black, emboss on front cover
Inside 56 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
8 pp. Sirio color Sabbia 115 g/m2, printed 1/1, wrap around in the middle of last section.
binding:
swiss bound / black tape 

book 2 (SB)
cover 4 page cover onto Woodstock Grigio 285 g/m2, printed 0/1 black, blind emboss on front cover
Inside 64 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
binding:
swiss bound / black tape 

book 3 (GK)
cover 4 page cover onto Woodstock Camoscia 285g/m2, printed 0/1 black, emboss on front cover
Inside 56 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
8 pp. onto Freelife Symbol gloss 90 g/m2, 4/4 cmyk, wrap around in the middle of 2nd section
binding:
swiss bound / black tape

______________________________

other works relating to Sarah Browne:
How to use fool’s gold, Lebensreform in Leitrim, sarahbrowne.info

other works relating to Gareth Kennedy:
IrelandVenice, IKEA butter churn for Gneeveguilla, Post Colony

Lucy / Baudouin de Jaer / Orchestre Philharmonique de Liège / Georges-Elie OctorsBack to normal big band first performance
Sub Rosa
SR441 (2017)
Archives series

client: Mead Gallery, University of Warwick/ Monash University Museum of Art, Australia
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 500 copies
size: 165 x 210 mm portrait
extent: 48pg. + endpapers + hard covers + dustjacket

ISBN (UK) 978-0-9934245-1-9
ISBN (AU) 978-0-9923754-9-2

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cover: 
4 page hardcover Iris cloth (874 Malachit)
printed 1 colour foil block (black) 132 x 55mm
dustjacket: 
8 page dustjacket, flaps 100 mm
printed 4/0 + one side gloss lamination onto 135grs Tatami white
endpapers:
2 x 4 pages printed 1/0 (BLACK) text, and one page solid (p4 front) double hit
onto 130grs Munken Lynx
inside:
48 pages printed 4/4 CMYK onto 135grs Tatami white
binding:
Hardcover, thread sewn, no head and tail bands
square spine and 2mm boards

artist: Sarah Browne with Peter Maybury
date: February 2011
printing: MM Artbook printing & repro
binding: uncredited
run: 500
size 156 x 234 mm portrait
extent: 112pg. + softcovers

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234 x 156 mm (Royal octavo)
112pg + covers
covers: printed 2/0 onto 300grs Munken Pure
inside: 112 pages printed 1/1 onto 80grs Munken Pure

_____________________________

other works relating to Sarah Browne:
How to use fool’s gold, IrelandVenice
sarahbrowne.info

client: Irish Museum of Modern Art
date : November 2007
printing : Drukkerij Rosbeek bv, 
the Netherlands
binding: Binderij Van Waarden,
the Netherlands
run: 1,000 copies
size: 215 x 265 mm portrait
extent: 176pg. + endpapers + covers

_________________________________

covers:
printed full colour + gloss sealer on to 120grs Munken Lynx

inside: 
32 pages printed 4/4 onto 150grs Munken Lynx
88 pages printed 4/4 onto 150grs Arctic Volume
16 pages printed 4/4 onto 150grs Munken Lynx
40 pages printed 4/4 onto 150grs Munken Lynx

endpapers:
2 sides printed 4/4 onto 150grs Munken Lynx

binding:
hardcover bound, 1 mm boards, square spine, head & tail bands 

___________________________________

This is my other favourite book. Edited by Sean Kissane, and with thanks to him for design input.

Film screening programme, 2019
A3 folding to A3
digital printing

publisher: Pádraic Moore
date: 2014
printing: MM artbook printing & repro
binding: uncredited
run: 300 copies
size: 165 x 203 mm and
158 x 203 mm portrait
extent: 124pg. + endpapers + 
hard covers

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cover:
4pg. cover Sirio Color dark blue 120grs
unprinted hard cover 1.5mm greyboard, half cloth, 15mm on front and back
foil block on front 150 x 130 mm
endpapers: 
Sirio Color dark blue unprinted
inside: 
72pg 1/1 onto Carabic Color
12pg 1/1 onto 90grs Munken Print cream 1.5
32pg 4/4 onto 150grs Luxo art samt
total is 116 pages, divided into:
8pg. printed 1/1 PMS onto Carabic color 80grs with 4pg. insert at centre: 4/4 onto 150grs Luxo art samt
then: 16pg printed 1/1 PMS onto Carabic color 80grs
then: 8pg printed 1/1 PMS onto Carabic color 80grs
then: 12pg. printed 4/4 CMYK, 150 x 180 mm portrait onto 150grs Luxo art samt
then: 8pg printed 1/1 PMS onto carabic color 80grs
then: 16pg. 1/1 PMS onto Carabic Color 80grs
then: 8pg. 130 x 203mm, printed 1/1 onto 90grs Munken Print cream 15
then: 8pg. printed 1/1 PMS onto Carabic Color 80grs

_____________________________

exhibition:
Dublin City Gallery The Hugh Lane
19 June – 7 September 2014
Featuring work by:
Dorje deBurgh, Derek Jarman, Gunilla Klingberg, Bea McMahon, Garrett Phelan, Richard Profitt with esoteric illustrations by Katie Scott
curated by Pádraic E. Moore

This book features the release version of Cardea, a font designed by David Cabianca.  David kindly offered that I try out a pre-release version, which is used for the texts in The greatness of things, the Hilma af Klint book I designed for the Douglas Hyde Gallery in 2005. The release version of Cardea which was used in A modern panarion is now available from Emigre Fonts. 

www.emigre.com

client: Irish Museum of Modern Art
date: 2010
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: uncredited
run: 500 copies
size: 165 x 210 mm portrait
extent: 216 pages + endpapers + covers

ISBN 978 1 907020 03 2

_______________________________

covers:
hardback paperbound. printed 4/0 CMYK onto 120grs Bioset 

inside:
printed 4/4 CMYK onto 130grs Bioset 

endpapers:
printed 1/1 (double strike) onto 150grs Bioset 

binding:
hard cover bound, square spine, head and tail bands, 1.5mm board
cold melt glued
_______________________________

Museum21 investigates issues around curatorship in international galleries and museums exploring different models and the importance of particular contexts. This publication stems from the Museum21 symposium, the concluding partof a three part series of international symposia hosted by the Irish Museum of Modern Art, Dublin. Also included in this publication series are Curating Now  and Access All Areas (both 2009). Edited by Helen O'Donoghue.

client: Dublin City Gallery The Hugh Lane
date: 2016-7
printing: dieKeure
binding: uncredited
run: 300 copies
size: 165 x 230 mm portrait
extent: 48pg. + 6pg. cover

ISBN 978 1 901702 50 7

_______________________________

covers:
printed 4/0 onto

inside:
printed 4/4 CMYK onto 150grs Magno Volume (Furioso white)

binding:
thread sewn in sections, black thread

Momentum
publisher: Irish Architecture Foundation
date: 2021
extent: 64pg. + covers + endpapers
run: 300
finished size: 170 x 297mm portrait
dustjacket: 515.9 x 297 (85mm flaps front and back)
printed 4/0 process DIGITAL 1 side onto 80grs edixion offset
inside: 4 colour process (litho) throughout onto nautilus super white recycled 120grs
cover: 4/1 (litho) (CMYK/fluorescent PMS809) onto Nautilus Classic recycled 300grs
finishing: thread sewn in sections and covers drawn on, dustjacket folded and slotted on
printer: Impress Printing Works, Dublin

The Momentum programme seeks to create a space, physically and introspectively, to document, contextualise and introduce to the public, the work of emerging architects and collectives, around whom exists a growing critical and curatorial consensus. It also advances the IAF’s ambition to create more opportunities for more architectural exhibitions and to enhance a culture for curating architecture in Ireland.

The intimate space of the gallery at the IAF base on Bachelor’s Walk allows the architect to test a theory, revisit an old idea afresh, or present a proposition that can enhance their practice beyond the exhibition. The IAF gallery is used as a stopping off point, a paused moment for reflection on the way to something significant.

In 2021 the Momentum architects chosen – Noreile Breen, t o b Architect and plattenbaustudio, are re-imagining the future of architecture practice, and their work demonstrates a high degree of sensitivity to context, to the environment and to the public. The exhibition will be supported by the beautiful publication Momentum designed by Peter Maybury.

text: courtesy IAF

client: Susan MacWilliam
date: 2019
printing: MM Artbook printing & repro
binding: not credited
run: 500 copies
size: 203 x 254 mm portrait
extent: 120 pages + endpapers + covers

ISBN 978-1-908455-21-5

___________________________

cover:
printed 4/0 onto 150grs Lessebo Design white 1.5 

endpapers:
printed 4/0 + varnish on 140grs Tauro offset paper

inside:
120 pages divided into 104 pg. printed 4/4 on 135grs Tatami white (6.5 x 16pg. sections) then 16pg. printed 4/4 onto 120grs Munken Pure

binding:
hardback section sewn with a printed cover over 2.2mm boards, square spine, H&T bands, black thread

___________________________

Published by
F. E. McWilliam Gallery and Studio

client: Irish Museum of Modern Art
date: 2011
printing: MM artbook printing & repro, the Netherlands
binding: Schwind Trier, Germany
run: 1,500 copies
size: 215 x 265 mm portrait
extent: 596pg. + endpapers + 8pg. dustjacket + covers
dustjacket:
8pg. printed 5/0 onto 135grs Splendorlux (CMYK + PMS414)
endpapers:
printed 4/4 onto 135grs Splendorlux (gloss side up!)
inside:
p1-8 printed 4/4 onto 150grs Reviva Naturel
p9-576 printed 4/4 onto 135 grs Hello fat mat white
p577-596 printed 4/4 onto 150grs Reviva Naturel
spot colour and/or UV varnish on these pages:
8+9, 24+25,88+89, 102+103, 116+117, 204+205, 236+237, 330+331, 418+419, 496+497, 550+551
Spot colours are PMS1665, 177 + 414

ISBN: 978-1-907020-49-0

_____________________________

cover:
blind emboss (deboss) on front in Iris grey linen 101/846 binding:
hardcover bound, 2mm boards, round spine, head & tail bands

_____________________________

The moderns was one of three books presented by Peter at "The book: history and practice" at University College Dublin Humanities Institute, 12 March 2012. Also shown were Images or shadows, and Of. The workshop included presentations by book historians, educators, calligraphers and designers.

_____________________________

"THIS IS A HUGE BOOK. It weighs three kilos, looks beautiful and offers a rich pictorial history of modernist painting, sculpture, architecture, photography... The quality and number of illustrations are such that this book will long serve as a vital resource on informing us about the range of artistic activity during the period... This book makes the temporality of the exhibition visit permanent..." FINTAN CULLEN reviews The Moderns: The Arts in Ireland from the 1900s to the 1970s, Irish Times 23 July 2011

_____________________________

100 Archive

Dublin city’s twentieth-century buildings and their stories
1900-40

client: Dublin City Council
publisher: Dublin City Council with University College Dublin and Four Courts Press
date: 2016, 2019
printing: unknown
run: 500 copies
size: 165 x 240 mm portrait
extent 368pg. + 4pg. cover

ISBN 781 90207030442

_______________________________

first edition:
cover: printed 4/0 CMYK, matt laminated 1 side onto 350grs Zenith
inside: 368pg printed 4/0 CMYK throughout onto 150grs matt, sealer varnish throughout
folded, gathered, thread sewn in sections and covers drawn on
printer: unknown

second edition
cover: printed 4/0 CMYK, matt laminated and spot gloss varnish 1 side onto 280grs Invercote G
inside: 368pg printed 4/0 CMYK throughout onto 120grs Maxioffset
folded, gathered, thread sewn in sections and covers drawn on
printer: dieKeure, Belgium

Dublin city’s twentieth-century buildings and their stories
1940-72

client: Dublin City Council
publisher: Dublin City Council with University College Dublin and Four Courts Press
date: 2018/9
printing: dieKeure
run: 1,000 copies
size: 165 x 240 mm portrait
extent 480pg. + 4pg. cover

ISBN 978 1 902703 45 9

_______________________________

cover:
printed 4/0 CMYK, matt laminated and spot gloss varnish 1 side onto 280grs Invercote G

inside:
480pg printed 4/0 CMYK throughout  onto 120grs Maxioffset

folded, gathered, thread sewn in sections and covers drawn on

Dublin city’s twentieth-century buildings and their stories
1973–99

client: Dublin City Council
publisher: Dublin City Council with UCD Press
date: 2023
printing: dieKeure
run: 1,000 copies
size: 165 x 240 mm portrait
extent 512pg. + 4pg. cover

ISBN 978 1 910820-12-4 pb

_______________________________

cover:
printed 4/0 CMYK, matt laminated and spot gloss varnish 1 side onto 280grs Invercote G

inside:
512pg printed 4/0 CMYK throughout  onto 120grs Maxioffset
folded, gathered, thread sewn in sections and covers drawn on

An artwork by Olav Westphalen created with Peter Maybury for the exhibition The Museum of Modern Comedy in Art (MoMCo) – A Proposal, Project Arts Centre, Dublin, 1 September – 21 October 2017
Co-curated by Livia Páldi and by Olav Westphalen

digital print, 3000 x 2200mm

client: Irish Museum of Modern Art
date: 2013-14
printing: Hudson Killeen, Dublin
binding: inhouse
run: 1,000 copies
size: flat folded size 210 x 280 mm portrait
extent: 8pg. text + poster-cover) + ribbon wrap

ISBN 978 1 907020 97 1

_______________________________

1)  840 x 560 mm folding to 210 x 280 mm
printed 4/4, in-line gloss all-over sealer onto 170grs gloss
2) 8pg. 210 x 280 mm printed 1/1 (K) throughout onto 150grs Munken pure, saddle stitched
3) paper ribbon 470 x 120 mm approx.
printed 1/0 PMS Orange 021 onto 150grs Munken pure 

gathered with paper ribbon taped at back

client: Kennedy Browne / cottagelab
date : 2014
printing: Impress printing works, Dublin
binding: unknown
run: 300 copies
size: 150 x 220 mm portrait
extent: 40pg. + covers

ISBN 978 0 9554976 7 4

_____________________________

cover: 
digital printed 1 side onto 300grs Cyclus offset + gold foil block front

inside:
digital printed throughout onto 150grs Munken Lynx

binding:
40pg. + covers thread sewn with foil block front cover

client: ID2015
date: 2015-16
printing: various (Newspaper Club [London], unknown [Chicago], unknown [Shenzhen])
binding: uncredited
run: 5,000 copies
size: 180 x 260 mm portrait
extent: 40pg. self-covers (London, Shenzhen), 32pg. self-cover (Chicago)

3 editions to accompany exhibitions in London, Chicago and Shenzhen, each printed web-fed full-colour throughout onto 55grs newsprint.

_____________________________

London Festival of Architecture
Hall McKnight
Clancy Moore
Steve Larkin
TAKA
1-30 June 2015

Chicago Design Museum
A2
GKMP
Ryan W. Kennihan
2 October – 31 January 2016

Shenzhen Bi-City Biennale of Urbanism\Architecture
AP+E
Urban Agency
4 December 2015 – 4 March 2016

Curated by Nathalie Weadick and Raymund Ryan

_____________________________

Also shown below are Shenzhen installation views including projected work by Matthew Thompson, and exhibition graphics designed here. (Photos courtesy Matthew Thompson)

Niamh O’Malley
client: RHA Gallery, Dublin
date: 2020
run: 500 copies
size: 160 mm x 213 mm portrait
extent: 80pg. + endpapers + hard covers
printing: cover: 4 page hardcover printed 5/0 = cmyk + 1 pantone double hit onto 135grs Munken Pure
endpapers: 2 x 4 pages printed 4/4 cmyk onto Munken Pure 150grs
inside: 80 pages printed 4/4 cmyk onto 150grs Munken Pure
binding: hardcover, square spine
2 mm boards and head and tail bands
printing: MM Artbook Printing & Repro

client: The Model, Sligo, Ireland
date: 2014
printing : MM artbook printing & repro
binding: uncredited
run: 1,000
size: 165 x 245 mm portrait
extent: 116pg. + endpapers + covers

ISBN 978 0 9567179 2 4

_______________________________

cover:
4 page half cloth hardcover, white fake leather on spine and  2cm on front and back cover. 2mm greyboard
printed:
1/0 foil block black gloss on spine and front cover

endpapers:
2 x 4 pages onto Munken Print white 1.5 / 150grs printed: 2/2 (front K + PMS 622, back PMS 622)

inside:
20 pages onto 120grs Popset Ivory
printed: 1/1
96 pages onto 135grs Luxo art samt (Furioso)
printed: 4/4 CMYK

_______________________________

The Model is home to the Niland Collection, one of Ireland's most significant public art collections. Begun by Nora Niland in 1959, the collection features work by many of Ireland's most acclaimed twentieth century artists. The collection has a particular focus on the northwest of Ireland and features many artists who are linked to the area through birth, family or subject matter including Jack B Yeats, Patrick Collins, Sean McSweeney, Patrick Hall and Nick Miller. Paintings by the Yeats family are also a particular focus and the collection features almost fifty works by Jack B. Yeats, nineteen portraits by his father John Butler Yeats, as well as works by Jack's wife Mary Cottenham Yeats, and his sister Elizabeth Yeats.
(extract from Model website) 

client: Barbara Knezevic
date : 2013
printing : MM artbook printing & repro
binding: uncredited
run: 300
size: 165 x 220mm portrait
extent: 128 pages (divided into 64 pages inside and 64 pages outside) + 6pg. covers

ISBN 978-0-9576073-0-9

_____________________________

cover: 6 page cover onto 350grs Naturel Braun
printed : 1/0 black
inside : 128 pages (divided into 64 pages inside and 64 pages outside)
printed : 4/0 CMYK
binding : softcover, PUR binding, no thread, colour in glue
diecut (78 x 78 mm square) on pages 53-56

_____________________________

100 Archive

client: Dennis McNulty,
produced in collaboration with IMMA Associated Press
date: 2011
printing: MM artbook printing & repro
binding: uncredited
run: 750
size: 170 mm x 230 mm portrait
extent: 144 pages + endpapers + covers

ISBN 978-1-907020-82-7

available in the shop!

_____________________________

cover: Imitlin colour 125grs
printed: 2 colours foil block
endpapers: 2 x 4 pages on to Munken Pure 100grs
printed : 1/0 PMS, double hit
inside : 144 pages
3 x 8 pages on to Munken Pure 70grs
printed : 1/1 PMS
96 pages on to Tatami White 150grs
printed: 4/4 cmyk + sealer all over
16 pages on to 80grs Idem SD ( carbonpaper ) blue
printed 1/1 PMS
binding: Thread sewn, coloured thread ( 1 colour ) round spine, 1,75 mm board
head and tailbands, 1 green, 1 blue
3 sections on Munken Pure bound each in the middle of a 16 page Tatami section

_____________________________

www.dennismcnulty.com
100 Archive

client: Parallel – European Photo Based Platform/
PhotoIreland Festival
date: 2019
size: 180 x 260mm portrait
run: 600 copies

two part publication:
‘Thing aura metadata. A poem on making.’
exhibition catalogue: 40pg. + covers perfect bound. Printed 4/4 (CMYK) throughout. cover: 190grs FSC Offset inside: 100grs FSC Offset. binding: Saddle stitched with copper wire

‘One of many’
manifesto: 20pg. self-cover saddle-stitched with copper wire. Printed 1/1 (K) throughout onto 90grs Offset. binding: Saddle stitched with copper wire

printing: GPS Colour, UK
curator: Seda Yildiz

Wayfinding system for Tom dePaor’s purpose built cinema in Galway, Ireland.

An integrated scheme of hand-painted lettering; illuminated multi-layered illuminated glass panels in bespoke sapele frames; and neon signage. The legal requirement for ‘manifestations’ on glazed planes is handled as a sequence of scaled circles which echo the set of 22 windows devised by dePaor in conjunction with Pat Scott.

http://depaor.com/projects/picture-palace.php

client: The Douglas Hyde Gallery
date : October 2009
printing : Cassochrome, Belgium
binding: uncredited
run: 500
size: 138.5 x 210mm portrait
extent: 36pg. + endpapers + covers

ISBN 978-1-905397-20-4

______________________________

cover:
Hard cover in 1/2 linen cover square spine and blind emboss on front
printed 4/0 onto 115grs Munken Pure

inside:
32 pages printed 4/4 onto 135grs Gardapat Klassica
4 pages printed 4/4 onto 135grs Gardapat Klassica (in 8 page section with back endpaper)

endpapers:
printed 4/4 onto 135grs Gardapat Klassica

binding:
Thread sewn in 4 x 8 page sections + 1 x 8 page (including 4 page back endpaper)

size: 600 x 420 mm folding to 200 x 140 mm portrait
extent: 18pg. leaflet
run: 500 copies
printing: 5/5 CMYK + PMS 801 (fluorescent) onto 110grs Edixion (FSC4)
finishing: Trimmed to size and folded.
printing: Impress Printing Works, Dublin

Project Arts Centre: Visual Arts programme
May 2011 – April 2015
Twenty exhibition publications
each: 375 x 540 mm roll-folding to: 125 x 180mm portrait
printed 4/4 or 4/1 onto various uncoated stocks
printing: Hudson Killeen, Dublin

Sarah Browne
Second Burial at Le Blanc
6 May – 25 June 2011

Geoffrey Farmer and Jeremy Millar
Mondegreen
8 July – 20 August 2011

Adrià Julià
Notes on the missing oh
2 September – 29 October 2011

The Last of the red wine (the prequel/ sequel)
Doug Fishbone, Hayley Newman, Kim Noble, Sally O’Reilly, Michelle Owoo, Colin Perry, Caroline Smith, Bedwyr Williams. Curated by Tessa Giblin and Sally O’Reilly
11 November – 14 January 2012

Mikala Dwyer
Panto Collapsar
26 January – 31 March 2012

A MacGuffin and some other things
Lucy Andrews, Isil Egrikavuk, David Hall, Alice Rekab, Judith Scott. Curated by Vaari Claffey
12 April – 16 June 2012

Conjuring for beginners
A celebration of visual arts
Sam Keogh, Daniel Dewar & Grégory Gicquel, Angela Fulcher, Ruth E. Lyons, Zbynek Baladrán, Janice Kerbel, Susan Philipsz.
3 July – 11 August 2012

Whitewashing the moon
An exhibition of five artists and one author
Caroline Achaintre, Jorge De la Garza, Eleanor Duffin, Barbara Knezevic, Raphaël Zarka, and Edward Everett Hale’s ‘The Brick Moon’.
24 August – 27 October 2012

Ravio Puusemp and Ben Kinmont
Dissolution
9 November 2012 – 12 January 2013

Detouched
An exhibition of works by A.K. Burns, Alice Channer, Sunah Choi, Dennis Oppenheim, Seth Price. Curated by Anthony Huberman
24 January – 30 March 2013

Niamh O’Malley
Garden
26 April – 22 June 2013

Mario García Torres
Until it makes sense
5 July – 15 August 2013

Jennifer Tee
Practical magic
29 August – 26 October 2013

Céline Condorelli
featuring The Company
Additionals
7 November 2013 – 18 January 2014

Eva Kot’átková
Theatre of speaking objects
23 January – 14 February

Eva Kot’átková and Dominik Lang
Wasteland
7 February – 14 April 2014

Maeve Connolly
TY Museum: The mini-series
17 April – 22 October 2014

Barbara Bloom
The french diplomat’s office
Staged
9 May – 28 June 2014

Hadley + Maxwell
The queen still falls to you
26 September – 11 October 2014

Chris Evans
Clerk of mind
5 November 2014 – 17 January 2015

Garrett Phelan
A voodoo free phenomenon
30 January – 9 April 2015

Curated by Tessa Giblin unless otherwise indicated.

client: Gareth Kennedy
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 350 copies hand numbered
size: 156 x 234 mm portrait
extent: 40pg. + endpapers + covers

ISBN 978 0 9554976 8 1

_____________________________

cover: 
4 page hardcover, Surbalin Linea color 5131 Yellow
1/0 foil block black - 45 mm x 8 mm
1 deboss 95 mm x 125 mm
endpapers: 2 x 4 pages unprinted onto 150grs Munken Pure
inside:
1/16 printed 1/1 black onto 150grs Munken Pure
17/24 printed 4/4 CMYK onto 200grs Garda Art gloss
25/40 printed 1/1 black onto 150grs Munken Pure
extra: 4 images printed as tip-ins onto 200grs Garda Art gloss
printed 4/4 CMYK, trimmed and packed
tipped in by hand by the artist
binding:
Hardcover, thread sewn
square spine 2mm boards

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other works relating to Gareth Kennedy:
IrelandVenice, IKEA butter churn for Gneeveguilla

client: Irish Museum of Modern Art
date: 2015
printing: MM artbook printing & repro, the Netherlands
binding: unknown
run: 300 copies
size: 180 x 276 mm portrait
extent: 72pg. + 6pg. hard/soft covers

ISBN 978 1 909792 07 4

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covers:
6 page cover printed 2/0 onto 300grs Munken Pure
inside: 
64 pages + 2 x 6 pages fold out, printed 4/4 CMYK onto 170grs Symbol Freelife
binding: 
soft cover, swiss binding, thread sewn
black cloth on spine of innerwork
3mm grey board glued to back cover

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Features work by Kevin Atherton, Jeremy Deller, Jesse Jones, Mike Kelley, Linder, Conrad Shawcross, Bedwyr Williams
 

Small format publication* to accompany event at the Douglas Hyde Gallery, Dublin, 26 January 2017. DAXA, a custom musical device which translates between any arbitrary MIDI control surface and the DX7 was developed by artist Dennis McNulty specifically for David Donohoe. 

photocopied onto 120grs Munken Polar. 250 copies A3 recto-verso

* possibly a fanzine

date: 2023
publisher: ​​Hugh Lane Gallery, Dublin
ISBN: 978-1-901702-63-7
printing: MM Artbook printing & repro
size: 200 x 205mm portrait
extent: 48 pages + endpapers + covers
run: 400 copies
thread sewn
4 page hard cover
printed 4/0 onto 150grs Lessebo design white rough 1.3
printed together with endpapers:
2 x 4 pages printed 4/4 onto 150grs Lessebo design white
inside: 48 pages divided into:
pages 1-16 2/2 duotone (K + PMS 426) onto 135 gm2 Tatami white
pages 17-40 printed 4/4 cmyk onto 135 gm2 Tatami white
41-48 pages printed 4/4 cmyk onto 135 gm2 Tatami white
printing: MM Artbook printing & repro

How capital moves; The myth of the many in the one; The wonder years; Real world harm

ISBN 978 1 901702 57 6

date: 2019
publisher: Hugh Lane Gallery, Dublin
printing: MM Artbook printing & repro
run: 350 copies
size: 168 mm x 220 portrait
extend: 80pg. + endpapers + hard covers
cover: 4 page hardcover printed 2/0 double hit black onto 150grs Lessebo design natural: 2 foil blocks, black and grey on front cover and spine
endpapers: 2 x 4 pages printed 2/0 double hit black onto 150grs Lessebo design natural on same Printed: 2/0 double hit black
inside: 80 pages printed 4/4 cmyk onto Tatami white 135grs in 10 x 8 page sections
binding: Hardcover, thread sewn
head and tail bands, 1.5 mm boards

client: Dublin City Council
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 500 copies
size: 165 x 220 mm portrait
extent: 64pg. + endpapers + covers

ISBN: 978-0-9927450-3-5

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cover:
hardcover Brillianta 4043 Grey
printed: 1 foil block pale grey 932 Colorit

endpapers:
2 x 4 pages onto
Garda Art gloss 170 gm2
Printed: 4/0 cmyk

inside:
Page 1-40 Lessebo Naturel 130 gm2

Printed: 4/4 cmyk
4 pages Chromatico Vert ( green ) 100 gm2
Wrapping around page 41-48

Printed: 1/0 black
Page 41-48 onto Lessebo Naturel 130 gm2
Printed: 4/4 cmyk
49-72 onto Lessebo Naturel 130 gm2
Printed: 4/4 cmyk

binding:
Hardcover, thread sewn,
head and tail bands pale blue - 211/14 – NW
1.5 mm boards, square spine

client: Irish Museum of Modern Art,
co-published with Charta
date: March 2007
printing: Drukkerij Rosbeek bv, 
the Netherlands
binding: unknown
run: 3,000
size: 240 x 310 mm portrait
extent: 136pg. + endpapers + covers

ISBN 8881586428

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cover:
printed 1/0 onto 115grs Munken Lynx

inside:
136 pages divided into:
24pg. printed 4/4 onto 115grs Munken Lynx including 8pg. gatefold
24pg. printed 4/4 onto 115grs Munken Lynx
4pg. printed 2/0 pantone onto 62grs Translucent
4pg. printed 1/0 pantone on 90grs Sirio Pearl Aurum wrapping around
16pg. printed 4/4 onto 150grs JobArt Parilux Mat
16pg. printed 4/4 onto 150grs JobArt Parilux Ivory
16pg. printed 4/4 onto 60grs Reprobank
32pg. printed 4/4 onto 150grs JobArt Parilux Gloss

endpapers:
printed 4/0 onto 115grs Munken Lynx

binding:
Paper case bound 1.5mm board. Die-cut with 16 holes through front cover.

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The arrangement of the 16 holes through the cover, mirrors the work '51 ways of looking', 'ill 31' and also recalls her video 'SpiNN' (ill 40)

client: The Douglas Hyde Gallery
date: 2010
printing: Lecturis bv, 
the Netherlands
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers

ISBN 978 1 905397 29 7

_____________________________
 

cover:
Hard cover Brillianta linen cover square spine and foil blocked in 1 colour

inside:
32 pages printed 4/4 onto 150grs Symbol Tatami White
spot sealer varnish on images in separate pass

endpapers:
2 colour 2 sides (not common) + machine sealer varnish onto 150grs Munken print white 

binding:
thread sewn in 4 x 8 page sections

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This book is bound along the long edge but reads as a landscape book. The images have a spot varnish sealer printed in a separate pass and this gives the images a beautiful lift while contrasting with the open grain of the paper.

client: Bookworks
date: 2013
printing: MM artbook printing & repro
binding: uncredited
run: 1,000
size: 165 x 240mm portrait
extent: 176pg. + covers

ISBN 978 1 906012 37 3

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cover: 
8 page cover printed 4/0 (CMYK) onto 350grs Munken Pure
inside: 
176 pages printed 4/4 (CMYK) onto 135grs Tatami White
binding: 
thread sewn + 8 page cover
_____________________________

100 Archive

date: 2024
printing: Impress Printing Works, Dublin
binding: 4 page casebound, 2.5mm grey board bookblock saddle stitched and then stab stitched through the spine
run:300
size: 220 x 245mm portrait
extent: 48pg. + endpapers + covers
cover:
printed 2/0 litho Red 032 + Pantone 355 (green) onto 100grs Nautilus Super White Recycled
endpapers:
printed 2/0 litho Red 032 + Pantone 375 (green) onto 100grs Nautilus Super White Recycled
inside:
48pg printed 4 colour process both sides (digital) onto 100grs Munken Lynx

client: Whitechapel Gallery, London
date: January 2013
printing: MM Artbook printing & repro
binding: uncredited
run: 1,000 copies
size: 210 x 210 mm portrait
extent: 96pg. + endpapers + covers

ISBN: 978-0-85488-212-0

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cover: 
Lessebo design naturel 1.3 / 120grs, printed : 5/5 CMYK + duotone
endpapers: 
2 x 4 pages Lessebo naturel 1.3 / 120grs, printed : 1/1 double strike PMS
inside : 96 pages onto 150grs Hello fat matt 1.3 Natural in 8 x 12 page sections:
printed : 7 sections 2/2 duotone / dotscreen 300 lpi, 1 section 5/5 CMYK + duotone / dotscreen 300 lpi
binding : 
hardcover, paper wrapped, 2.25mm grey board, round spine, head and tailbands

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100 Archive

client: Seamus Nolan/ Upstate Theatre Project
date: 2016
printing: Impress Printing Works, Dublin
binding: in-house
run: 150 copies
size: 160 x 225 mm portrait
extent: 76 pages + 6pg cover

ISBN 1HOCK2E

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cover:
litho printed 2/0 (K + Y) onto 350grs kraft board

inside:
76 pages digital printed 120rs Munken Lynx

binding:
thread section sewn with covers drawn on

client: Irish Museum of Modern Art & Sharjah Art Foundation
date: 2018
printing: MM artbook printing & repro, the Netherlands
run: 800 copies
size: 168 x 220 mm portrait
extent: 120 pages + endpapers + covers

ISBN 978 1 909792 19 7

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covers:
4 page hardcover printed 2/0 black double strike + Eggen sealer onto 150grs Lessebo design white rough
endpapers:
2 x 4 pages printed 2/0 black double strike + Eggen sealer onto 150grs Lessebo design white rough
inside:
128 pages printed 5/5 cmyk + silver + sealer onto 150grs Luxo Art samt
16 x 8 page sections gathered to 8 x 16 page sections

Vanessa Daws

size: 215 x 225 mm
extent: 160pg. + covers
cover: 4/0 onto Munken Pure 400 gsm
inside: 4/4 onto Magno Volume 120 gsm
run: 500
printing: MM artbook printing & repro
ISBN: 978 1 3999 9423

Published by Image text sound editions, Dublin.
ISBN 978-0-9559421-2-9

Edited by Ciarán Nugent and Peter Maybury
Printing: SYL L’Art Gràfic, Barcelona

extent: 304 pages + covers
210 x 245mm portrait
cover printed on FSC/PEFC Munken Lynx.
inside printed 4/4 on 100% recycled Cyclus Offset
run: 400 copies

client: Seamus Nolan/The Model, Sligo
date: 2012
printing: MM artbook printing & repro
binding: uncredited
run: 100 copies unnumbered
size: 110 x 178 mm portrait
extent: 48pg. + covers

ISBN 978 0 9567179 1 7

_______________________________

covers:
green Baladek glued onto 400grs grey board for front and back cover and then glued on first and last page of bookblock
foil-blocked (best match to PMS 131)
binding:
thread sewn in sections, open spine, green thread (to match covers)
inside
48pg. printed 4/4 onto 130grs Munken Pure
 

Titles, etcetera
client: John Graham
date: January 2025
printing and binding: MM Artbook Printing & Repro
run: 250 copies

Folder
6 pages, 300 gm2 Munken Pure Rough
1 sheet 3mm board 200mm x 260 mm, glued between 6 page cover and sheet 
printed 2/2 PMS
1 sheet, 170 gm2 Munken Pure rough, printed 1/1 PMS
Size: open 400mm + 5mm spine x 260mm Size: Closed 200 x 260 Flaps are 72mm

Inside
Size: 194 x 256mm
10 x single sheets, 3 x folded publications NO STITCHING!
60 pages in total divided into:

1) 20pg (10 sheets, text only, 3 have text on side only) 
printed 1/1 PMS 433 onto 130grs munken lynx
Trimmed to single sheets 194 x 256mm portrait ea.

2) 16pg section (street images)
194 x 256mm
4 x 4 page sections and gathered but not stitched
printed 4/4 CMYK onto 170gsm munken lynx

3) 16pg section (artwork reproductions)
194 x 256mm
4 x 4 page sections  and gathered but not stitched
printed 4/4 CMYK onto 135grs Tatami White

4) 8pg section (installation views)
194 x 256mm
2 x 4 page sections  and gathered but not stitched
printed 4/4 CMYK onto 170gsm munken lynx

published on the occasion of the exhibition Pleasure ’scapes
RHA Gallagher Gallery, Dublin
ISBN: 1-903875-97-8

run: 300 copies
size: 165mm x 220mm portrait
cover: 4 page hardcover printed 1/0 single hit black onto Lessebo design natural 150 gm2
front: metallic foil block (similar to Pantone 876)
back: deboss (NOT made from same stamp 140x140mm)
spine: metallic foil block (similar to Pantone 876)
endpapers: 2 x 4 pages printed: 4/4 cmyk onto Lessebo design natural 150grs

Inside: 64pg divided into:
pages 1-8
8pg. printed 4 colour process 170grs Garda Art gloss
pages 9-24
16pg. printed 1 colour (black) onto 100grs Lessebo Naturel
pages 25-40
16pg. printed 4 colour process 170grs Garda Art gloss
pages 41-56
16pg. printed 2 colour (black + PMS metallic Pantone 876) onto 100grs Lessebo Naturel
pages 57-64
8pg. printed 4 colour process 170grs Garda Art gloss
binding: Hardcover, thread sewn, head and tail bands, orange approx match to PMS Orange 021
1.5mm boards

date: first printing 2019, reprinted with minor revisions 2020
size: 225 x 160 mm portrait.
run: 300
extent: 96 pages + 6pg. cover
cover: printed 4/0 CMYK (offset litho) onto 280grs Cairn Eco Craft
inside: printed digital colour throughout onto 120grs Munken Lynx
binding: thread sewn & draw on cover, spine 8.7mm
printer: Impress Printing Works, Dublin

client: Irish Museum of Modern Art
date: 2010
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run: 1,000 copies
size: 240mm x 340mm portrait
extent: 320pg. + endpapers + covers

ISBN: 978-0-907020-08-7

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covers:
printed 1/1 onto 325grs one side white board
matt laminate and then gloss UV
inside:
320 pages printed 4/4 CMYK onto 135grs *Arctic the Volume
binding:
thread sewn in 16pg. sections
OTA bind
* this paper range has since been completely revised

_____________________________

Awarded silver Bell in the 2011 Irish creative advertising and design (ICAD) awards, and featured in their annual publication.

_____________________________

Morton Feldman is widely considered one of the most influential composers of the 20th century. Revolving around a project he curated in 1967 entitled Six Painters, this catalogue considers the impact that modern abstract art had on Feldman's own musical compositions, tracing direct links and hidden meanings. Featuring works from the original six painters - Philip Guston, Franz Kline, Piet Mondrian, Willem de Kooning, Jackson Pollock and Mark Rothko - this publication also includes works by many other artists whom Feldman admired. 
The book includes a facsimile reproduction of the entire Six Painters catalogue.

Essayists and contributors: Dore Ashton, Juan Manuel Bonet, Enrique Juncosa, Bunita Marcus, Barbara Monk Feldman, Brian O'Doherty, Francesco Pellizzi, Kevin Volans, Francesco Pellizzi, Sebastian Claren. 
Edited by Sean Kissane. 

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Vertical thoughts was included in the Pallas Periodical Review at Pallas Projects, Dublin, December 2011.

‘Edited by Seán Kissane and designed by Peter Maybury, Vertical Thoughts – Morton Feldman and the visual arts has as its starting point Feldman’s 1967 project Six Painters, and as such the centrepiece is a very fine facsimile reproduction – from cover to endpapers – of that exhibition’s catalogue floating in a black surround. Maybury uses black or grey borders subsequently for all the reprinted texts, approximating the page size of the originals. This device frames the privileged variety of documentation: scores, sketches, photographs of varying eras and quality, record covers, images of rugs, paintings and sculptures. The colour plates are treated with due dignity, while at the same time the type changes and dances from page to page. The book is prestigiously coffee table LARGE (though in order to accommodate the reproduction of large paintings) – but with an elegantly bound soft cover, it is not too precious.’
Gavin Murphy

I also wrote some notes for the exhibition:
The Six painters reproduction idea came from Juan Manuel and Seán, although I was keen on it including endpapers etc. to be a facsimile reproduction. The quality of the scanning and reproduction here is pretty amazing. The original copy was unbound for scanning in single pages. Floating it in the black surround (it's reproduced s/s) was to make a complete interruption in the book, like an insertion, and to contribute to the lovely black stripes and their irregular rhythm on the cut edges of the book. (The cut edge also works as a fast-find index for some sections of the book!)

In fact black or grey borders were used for all the insertions in the book - eg. for all reprinted texts, so for example the Barbara Monk Feldman article, although reset and not in facsimile, approximates the page size of the original publication it appears in, and is set on a grey background.

Some elements were further 'folded-in' such as the same size reproduction of the "Arts consultants services" letterhead p. 63, or the typewriter typed text by Dory Ashton. 

This was intended as a unifying device given the wide variety of sources and material to be reproduced, which included documents, scores, sketches, photographs of varying eras and quality, record covers, images of rugs, and of course paintings and sculptures. there are many authors and voices.

Strangely, the way I found to pull all this together was to have almost no consistency in the layout from one element to the next. Each text is set in a different combination of typefaces, none of which follow a consistent layout or grid, and each evoking different aspects of book/editorial design. The typography is willfully awkward, although far from unreadable. each editorial component was given its own identity in some small way.

The book format was simply the largest possible page size as we were reducing large paintings, as well as manuscripts which would be best enjoyed when reproduced close to their original size.

The paper is the same throughout, in part as a unifying device and also to have a slight suggestion of a directory or catalogue - and with a soft cover - so as not too precious. The binding is an OTA bind where the cover board of the spine is not attached to the book block. This ensures that the book opens quite flat, and the spine does to crease.

Each copy of this book weighs 1.8kg!

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100 Archive

client: The Douglas Hyde Gallery
date : November 2013
printing: MM artbook printing & repro
binding: uncredited
run: 500
size: 138.5 x 210 mm portrait
extent: 32pg. + covers

ISBN: 978 1 905397 43 3

_____________________________

page size: 138.5 x 210 mm portrait
cover:
hard cover square spine and foil block
OCKERGELB 101/802
BLUE FOIL APPROX REFERENCE: PMS 312
inside:
32 pages printed 4/4 onto Lessebo design naturel 150 grs / 1.3
endpapers:
printed 4/4 onto Lessebo design naturel 150 grs / 1.3
binding:
thread sewn in 4 x 8 page sections

client: Irish Museum of Modern Art
date: 2019
printing: MM Artbook printing & repro

extent: 224 pages + endpapers + covers
inside: printed 4/4 (CMYK) onto coated stock.
hard cover: printed 4/4 (CMYK) onto coated stock and matt laminated
binding: thread sewn in sections with covers drawn on. Head and tail bands.

This publication which accompanied an exhibition at the Irish Museum of Modern Art is the first complete monograph of this pioneering artist. 220 illustrations. editor: Séan Kissane.