Peter Maybury

New Discoveries on Fallt
:... listening to two of the most beautifully realised records I've heard in ages, music so attuned to the gentle frostiness outside that they may as well be an extension of that very environment. Both come courtesy of Northern Ireland’s Fallt, a brilliant, under-exposed label that is as much about the visual production of its releases as artistic artefacts as the music. 

... The real find is a live set by Hard Sleeper. (the project of Dubliner Peter Maybury), an artist of whom I knew absolutely nothing prior to listening. Maybury is a friend of Donnacha Costello’s and there are similarities between their music. Neither is interested in mathematical abstraction, using minimal approaches instead to tour the more melancholic side of the psyche. However, whilst Costello has a tendency to go for the gut in his wrenching instrumentals of a love lost, Maybury constructs something altogether more ethereal and sublime from tiny fragments of melody of detritus. His music brings to mind Shuttle358, but at a point where the music almost hovers on the very edge of existence. Tiny pops and crackles start to emerge from a bed of poignant tones in their very twilight, there-but-not-there, spectral apparitions of song. At the 11-minute mark a more profound melodic line starts to emerge, adding weight to, but never disrupting, the carefully crafted sense of serene stillness that characterises this exceptional release. Always great to come across someone unfamiliar and to fall in love with their music there and then. Particularly when the low sunbeams shining through the blind in the room seem utterly at one with the sounds in one’s ears.’

Grooves magazine 23.02.04 by John Gibson, Senior Editor

‘a similar concern for detail to his almost twenty-eight minute piece as he does to his design and typographic work. It's a subdued and subtle work, placid and unassuming, whose quietude deceptively camouflages its rich detail. Minimal streams of clicks and pulses flow throughout overlaid by ghostly piano figures and warm, shimmering organ-like tones.’ (Ron Schepper, Absorb)